Today is Halloween and unfortunately I'll be unable to trick-or-treat with Anderson as I'm working. Natalie will, however, and we should have some pictures for the blog tomorrow.
From an entertainment standpoint, I was bored at work the other day and was browsing the archives of Rolling Stone magazine online. Here's a brief part of a 1981 review ...
I Will Follow," the kickoff cut from the debut album by Irish whiz kids U2, is a beguiling, challenging, perfect single. With its racing-pulse beat, tinkling percussion and mantra-simple chorus of dogged affection ("If you walkaway, walkaway/I walkaway, walkaway–I will follow"), it's already a dance-floor favorite.
Unfortunately, much of the rest of Boy doesn't quite equal that first vital piece of precocity. U2 plays smart, bass-heavy trance-pop, urged on by the earnest vocal emoting of Bono Vox and enlivened by the ringing accents of the versatile guitarist who calls himself the Edge. But their songs–mostly chronicles of psychic growing pains–are a diffuse and uneven lot. "Out of Control" boasts the same heady rumble as "I Will Follow," while "Stories for Boys" is carried by its B-movie guitar line and soaring youthful harmonies. Other tunes, however, are less successful. "An Cat Dubh" and the seemingly interminable "Shadows and Tall Trees" ramble without resolution, neither coalescing into identifiable hooks nor attaining the seductive atmospherics of, say, Echo and the Bunnymen.
Hopefully, U2 may yet justify Island's hyped-up optimism. With the help of creative producer Steve Lillywhite, they've already blended echoes of several of Britain's more adventurous bands into a sound that's rich, lively and comparatively commercial. And, unlike the real innovators, they'll have the tour support to back it up. U2 is talented, charming and potentially (they're all still under twenty-one) exceptional. But as a new Next Big Thing, they're only the next best thing to something really new. (RS 341)
DEBRA RAE COHEN
(Posted: Apr 16, 1981)
Wow. Good to hear that they didn't quite live up to "the seductive atmospherics of ... Echo and The Bunnymen."
So I next wondered ... what happened to Brenda Rae Cohen, the person who reviewed the album in 1981? Remarkably, she's 1) still alive, and 2) still employed. And teaching at The University of South Carolina. Here's some stuff from her profile.
Current Research Project(s)
I spent many years as a journalist and critic before returning to academe, and much of my current work is concerned with the conversations and intersections between Modernist literature and the mass media of the period. I just finished co-editing a collection entitled Broadcasting Modernism, about the centrality of radio to Modernist literary culture, and am now at work on a book tentatively entitled Rebecca West and the Mapping of Modernity, which examines West as a limit case for Modernist historiography. Another long-term project is an exploration of the cultural discourses of the cover song. I'm also pondering differences in musical taste, since clearly mine is off-kilter.
Okay. So that last sentence is mine. But you've gotta love someone who can make a career out of "exploration of the cultural discourses of the cover song." Only in America. And what the heck is "modernist historiography"?
Finally, Echo and The Bunnymen still perform. According to wikipedia, they await a record deal to release a new album. They also can be seen at concerts where U2 performs. Provided they buy a ticket like everyone else. Here's a picture of them ...

Happy Halloween. I'm dressing as a Bunnyman.









